Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven’t they survived? April Wright’s lovingly made documentary–filled with archival images of hundreds of open and closed drive-in theaters and interviews with theater owners and cinema luminaries such as Roger Corman–attempts to answer that question.

“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux

Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. Director. Artist. Robert Altman’s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. “Altman”, Canadian director Ron Mann’s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and influential filmmakers in the history of the medium. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Mann’s Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

Samsara is a word that describes the ever turning wheel of life. It is a concept both intimate and vast – the perfect subject for filmmakers Ron Fricke and Mark Magidson, whose previous collaborations include Chronos and Baraka, and who, in the last 20 years, have travelled to over 58 countries together in the pursuit of unique imagery. Samsara takes the form of a nonverbal, guided meditation that will transform viewers in countries around the world as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.

Set in San Diego, the movie follows the desperate acts of Bill Templer head of a covert defense agency perpetrating a terrifying fraud on the American public – involving the imminent invasion of aliens – by leaking to the press a satellite image of an alien armada poised to strike earth. As terror of an alien attack spreads, the President of the United States orders the launching of Peacemaker, a surveillance satellite retrofitted with a nuclear warhead. Templer’s elaborate plot is threatened when police detective Kevin Anjanette discovers that the alien images were faked. To protect his scheme, Templer swiftly unleashes the lethal head of his security, Ava Zurich, onto Anjanette. But it’s soon revealed that an alien force actually does exist and is poised to strike if Peacemaker is used. In order to protect mankind from total annihilation, Anjanette must race to abort the nuclear bomb that will trigger the alien attack.

Jane and Simon are two young police officers leading a routine investigation following the discovery of hidden video equipment in an abandoned house by a night watchman. But the first filmed images go way beyond a simple holiday movie. The two investigators realize that they have to move quickly if they are to find out what has become of Steven, Stephanie, Olivia, Sam, and Sebastien… before it’s too late.

Using masterfully restored footage from recently declassified images, The Bomb tells a powerful story of the most destructive invention in human history. From the earliest testing stages to its use as the ultimate chess piece in global politics, the program outlines how America developed the bomb, how it changed the world and how it continues to loom large in our lives. The show also includes interviews with prominent historians and government insiders, along with men and women who helped build the weapon piece by piece.

The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He quickly found success as one of the creators of the Pee-wee’s Playhouse TV show which soon led to more work designing some of the most arresting and iconic images in pop culture. Recently his word paintings featuring pithy and and often sarcastic text statements finely crafted onto vintage landscape paintings have made him a darling of the fine art world. The movie chronicles the vaulted highs and crushing lows of an artist struggling to find peace and balance between his professional work and his personal art. This is especially complicated for a man who struggles with the virtues he most often mocks in his art…Vanity, ego and fame.

Imagine this: you go dancing at a parade, there you will be filmed and suddenly this movie appears on the net. An artist makes art out of these images. From that moment on, your face buzzes out into the digital world. This case actually exists. The dancer is called Technoviking. He has become a famous figure on the Internet. However, it also raises a lot of questions: What are the boundaries between personality rights and the freedom of art? Can such a phenomenon be curbed at all by legal means? A feature length documentary on the popular Technoviking-Meme, one of the early big video memes on YouTube that ended up in court.